The AW-UE200W/K and AW-UE210W/K feature the industry's first* 1.2-type 5K MOS sensor with a global shutter in a PTZ camera. It delivers natural, low-distortion, low-flicker images for studio productions using LED walls, live events with dynamic lighting effects, and sports broadcasting. In addition, 5K oversampling produces stunningly detailed 4K video, faithfully reproducing the texture and fine details of every subject.
Panasonic AW-UE200/AW-UER200
Capture the action with less distortion and control framing remotely.
Panasonic’s new PTZ camera series combine global shutter technology with different movement and connectivity options for your production system.
The Panasonic AW-UE200 and AW-UER200 series were developed for remote video capture in broadcast productions and live events. The 5K MOS sensor with global shutter helps preserve the shape of moving objects, while the 22x optical zoom allows you to adjust framing from a fixed camera position.
The range includes four models. The AW-UE200 and AW-UE210 prioritise pan and tilt speed. The AW-UER200 and AW-UER210 add a rotational axis, or roll, to create camera movements and work with horizontal and vertical formats.
For productions using SMPTE ST 2110 or Dante audio, the AW-UE210 and AW-UER210 feature these technologies as standard.
Comprehensive Support for Standard Protocols, Ready for Streaming and a Wide Range of Production Applications
The AW-UER200W/K and AW-UER210W/K support a wide range of standard protocols, including NDI® High Bandwidth, SRT, FreeD, and OpenTrackIO, enabling seamless integration with virtually any production environment or system.
It can be easily incorporated into existing systems and adapts flexibly to a wide variety of production applications. Even in live event and streaming environments with minimal crews, no protocol conversion hardware is required, helping reduce operational complexity and workload.
Direct Access to Essential Information with an E-Paper Display
The front of the camera features a built-in E-paper display for status information. It dynamically updates key information such as the camera number, operating status, IP address, and QR codes, providing clear, highly visible information at a glance.
See Panasonic’s new PTZ cameras in action
Other features
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5K 1.2-type Global Shutter MOS Sensor -
Newly Developed Ultra-Fast Zoom Lens with an 80° Wide Angle and 22x Optical ZoomSupports 22x optical zoom* and variable zoom speeds ranging from an ultra-fast approximately 0.5 seconds from telephoto to wide to a maximum of 180 seconds, enabling smooth, expressive zooms tailored to each scene and creative intent.
The approximately 80° horizontal viewing angle also provides wide coverage, making it easy to capture the entire scene in confined installation spaces.
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Built-in Auto Framing Automatically Recreates Your Intended CompositionThe built-in AI-based Auto Framing function automatically tracks subjects and maintains the desired composition with high precision, all within the camera itself. It supports stable video production in dynamic environments, such as studio productions, live events, and sports, where subjects move quickly or cross paths. During operation, users can seamlessly switch between fully automatic and semi-automatic modes, allowing for fine composition adjustments and the flexibility to adapt to the needs of any production. In addition, by leveraging Media Production Suite, users can streamline multi-camera workflows and enhance operational efficiency.
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One-Touch Horizon Adjustment and Automatic Horizon LevelingThe AW-UER200/UER210 features one-touch horizon adjustment, enabling quick and easy camera leveling during setup. Even in challenging installation environments, such as cranes or angled ceilings, it helps ensure fast, smooth deployment. It also includes automatic horizon leveling to maintain a level image during operation, significantly reducing the need for manual horizon adjustments from setup through production.
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Simultaneous 16:9 and 9:16 OutputThe AW-UER200/UER210 supports rotation output using its built-in roll mechanism. By cropping vertical video from the camera's full sensor image, it can simultaneously output both a standard 16:9 feed and a 9:16 vertical feed. This provides the flexibility to create content for social media streaming and vertical LED walls while enabling efficient multi-format production from a single camera.
